Saudi Pavilion Unveils Public Program at Venice Biennale

The National Pavilion of Saudi Arabia at the 61st International Art Exhibition of La Biennale di Venezia has announced a dynamic public program accompanying artist Dana Awartani’s installation, titled “May Your Tears Never Dry, You Who Weep over Stones.” The announcement, released via the Saudi Press Agency (SPA), outlines a series of performances and discussions designed to deepen engagement with the work, which is on display in the Arsenale until November 22. The program, curated by Antonia Carver with Hafsa Alkhudairi as assistant curator, begins in Venice on November 20 and 21 with two new performances by artist and writer Mohammad Alfaraj and researcher and writer Nouf AlHarthi, featuring sound artist Nadine Lingawi. These events respond directly to the installation’s materials and themes, exploring cultural memory and heritage transmission. The initiative underscores Saudi Arabia’s growing cultural diplomacy and its commitment to fostering global artistic dialogue under Vision 2030.

How does a nation share its cultural memory with the world while honoring its deep-rooted traditions? For Saudi Arabia, the answer lies in bold, thoughtful engagement on platforms like the Venice Biennale, where contemporary art meets ancient heritage. The public program not only complements Awartani’s striking earthen installation—comprising 29,221 sun-dried mud bricks crafted with 32 artisans—but also amplifies the Kingdom’s narrative of modernization and cultural preservation. By commissioning such works through the Visual Arts Commission, one of 11 sector-specific commissions under the Ministry of Culture, Saudi Arabia reinforces its dedication to nurturing creativity and sharing its story globally. This fifth participation in the Biennale marks another milestone in the Kingdom’s cultural journey, inviting international audiences to experience the richness of Saudi artistry and its universal themes of memory, loss, and resilience.

Context and Background

What drives a country to invest in global cultural platforms like the Venice Biennale? Saudi Arabia’s participation in the 61st International Art Exhibition reflects a strategic vision to position the Kingdom as a hub for artistic innovation and cross-cultural exchange. The National Pavilion, commissioned by the Visual Arts Commission under the Ministry of Culture, showcases Dana Awartani’s work, which draws on mosaic patterns from historically significant sites. This marks Saudi Arabia’s fifth appearance at the Biennale, a testament to its evolving role in the international art scene. The public program, curated by Antonia Carver and Hafsa Alkhudairi, extends the installation’s impact through performances and discussions that delve into cultural memory and craft traditions. Such initiatives align with the Kingdom’s broader efforts to promote cultural diplomacy and soft power, as outlined in Vision 2030, which seeks to diversify the economy and enhance global engagement.

The Venice Biennale, often dubbed the “Olympics of the art world,” provides a unique stage for nations to present their cultural identity. For Saudi Arabia, this platform is not merely about exhibition but about dialogue and education. The program’s Venice-based performances on November 20 and 21, led by Mohammad Alfaraj and Nouf AlHarthi, with sound artist Nadine Lingawi, will use storytelling, poetry, and sound to explore how cultural heritage is transmitted across generations. These events are designed to resonate with the installation’s themes, creating an immersive experience for visitors. The subsequent panel discussions in Saudi Arabia in January 2027 will further localize the conversation, bringing together Awartani, the curatorial team, and participants to examine the role of traditional crafts in contemporary art. This dual-phase approach ensures that the dialogue continues beyond Venice, enriching both international and domestic audiences.

Why is it important for Saudi Arabia to share its cultural heritage on a global stage? The Kingdom’s cultural sector has undergone a remarkable transformation in recent years, with increased investment in arts, museums, and festivals. The Visual Arts Commission, established as part of the Ministry of Culture’s restructuring, plays a pivotal role in this evolution by supporting artists and commissioning works that reflect Saudi identity. Awartani’s installation, with its 29,221 mud bricks and collaboration with 32 artisans, embodies this fusion of tradition and innovation. By presenting such works at the Biennale, Saudi Arabia challenges stereotypes and showcases the depth of its artistic talent. The public program, therefore, is more than an accompaniment; it is a strategic tool for cultural exchange, fostering mutual understanding and appreciation between Saudi Arabia and the international community.

Key Details of the Public Program

What can audiences expect from the performances and discussions? The public program kicks off in Venice with two performances on November 20 and 21 at the National Pavilion in the Arsenale. Mohammad Alfaraj, an artist and writer, will use storytelling to explore collective cultural memory and the relationship between people and their environment. Nouf AlHarthi, a researcher and writer, will examine the role of language, sound, and listening in expressing memory and place. Together, they will create a multi-sensory experience that responds to Awartani’s installation. Sound artist Nadine Lingawi will contribute her expertise, blending environmental sounds with electronic elements to deepen the exploration of sound and place. These performances, overseen by the curatorial team, are designed to be ephemeral yet impactful, engaging visitors in a reflective journey through memory and heritage.

How does the program extend beyond Venice? In January 2027, the public program will continue in Saudi Arabia with a series of panel discussions. These will bring together Dana Awartani, the curatorial team, and several participants to delve into how knowledge is transmitted through craft practices. Topics will include the influence of traditional crafts on contemporary artistic production and the role of storytelling, poetry, and performance in preserving cultural memory. This phase ensures that the conversation is not confined to a Western audience but is also accessible to local communities, fostering a sense of ownership and pride. Additionally, an illustrated book exploring Awartani’s practice, edited by Antonia Carver and published by Kaph Books, is expected in January 2027. Commissioned by the Visual Arts Commission, this publication will serve as a lasting record of the project, further cementing its legacy.

What makes Awartani’s installation a centerpiece of the Pavilion? The installation, “May Your Tears Never Dry, You Who Weep over Stones,” is a monumental earthen structure made of 29,221 sun-dried mud bricks. Created in collaboration with 32 artisans based in Saudi Arabia, it draws on mosaic patterns inspired by sites of historical significance. This collaborative process highlights the importance of craftsmanship and intergenerational knowledge transfer, core themes of the public program. The installation will remain on display until November 22, offering visitors a limited window to experience its tactile and visual power. The accompanying program, therefore, amplifies the work’s resonance, transforming it from a static exhibit into a living, evolving dialogue. Through performances and discussions, the Pavilion becomes a dynamic space where past and present converge, inviting reflection on universal themes of loss, memory, and resilience.

International and Regional Impact

How does Saudi Arabia’s participation in the Venice Biennale influence its international standing? The Kingdom’s presence at the Biennale is a clear signal of its commitment to cultural diplomacy and global engagement. By supporting artists like Dana Awartani and presenting a thought-provoking public program, Saudi Arabia positions itself as a patron of the arts and a bridge between East and West. This aligns with Vision 2030’s goal of enhancing the Kingdom’s international image and fostering cultural exchange. The performances and discussions, which explore themes of memory and heritage, resonate with audiences worldwide, creating opportunities for dialogue and mutual understanding. Moreover, the involvement of Saudi-based artists and curators, such as Mohammad Alfaraj, Nouf AlHarthi, and Hafsa Alkhudairi, showcases the depth of local talent, challenging perceptions and building respect for Saudi Arabia’s creative sector.

What ripple effects might this have on the regional art scene? The public program’s extension to Saudi Arabia in January 2027 ensures that the momentum generated in Venice continues locally. By hosting panel discussions that bring together international and Saudi participants, the Kingdom fosters a regional hub for artistic discourse. This can inspire neighboring countries to invest in their own cultural sectors, promoting a vibrant Middle Eastern art ecosystem. Furthermore, the illustrated book published by Kaph Books will circulate globally, further disseminating Saudi artistic narratives. The Biennale platform also allows Saudi Arabia to engage with other nations’ pavilions, facilitating collaborations and partnerships. In a region often defined by geopolitical tensions, cultural initiatives like this offer a softer, more constructive form of engagement, highlighting shared human experiences and values.

Economic and Strategic Significance

Why is cultural investment a smart economic strategy for Saudi Arabia? The Kingdom’s focus on arts and culture is not merely philanthropic; it is a strategic pillar of Vision 2030 aimed at diversifying the economy beyond oil. The cultural sector has the potential to create jobs, attract tourism, and stimulate creative industries. By commissioning works like Awartani’s installation and supporting public programs, the Visual Arts Commission invests in human capital and infrastructure. The Venice Biennale, with its global audience, offers unparalleled exposure for Saudi artists, potentially leading to international sales, collaborations, and residencies. Moreover, the accompanying book and performances generate intellectual property and cultural products that can be monetized. This holistic approach ensures that cultural diplomacy also yields tangible economic benefits, reinforcing the Kingdom’s sustainable development goals.

How does this align with Saudi Arabia’s broader strategic priorities? Beyond economics, the public program enhances Saudi Arabia’s soft power and influence. Culture is a universal language that transcends political boundaries, and by excelling in this domain, the Kingdom builds goodwill and strengthens relationships. The themes of the installation—memory, heritage, and resilience—are particularly poignant, reflecting Saudi Arabia’s own journey of preserving its past while embracing the future. The program’s emphasis on craft practices and intergenerational transmission also ties into national efforts to safeguard intangible cultural heritage, as seen in other Vision 2030 initiatives. By presenting a cohesive and sophisticated cultural narrative, Saudi Arabia reinforces its role as a responsible global citizen and a leader in the region. This strategic use of culture complements its diplomatic and economic endeavors, creating a multifaceted approach to international engagement.

Vision 2030 Alignment

How does the Venice Biennale project reflect the core objectives of Vision 2030? Vision 2030 seeks to transform Saudi Arabia into a vibrant society, a thriving economy, and an ambitious nation. The public program accompanying Dana Awartani’s work embodies these aspirations by promoting cultural enrichment, fostering international partnerships, and showcasing Saudi creativity. The Visual Arts Commission’s commissioning of the Pavilion and the book demonstrates the Kingdom’s commitment to nurturing artistic talent and preserving heritage. By engaging with global audiences, Saudi Arabia also advances its goal of increasing cultural exchange and enhancing its international reputation. This initiative is a clear example of how Vision 2030 translates into concrete actions that resonate on the world stage, from Venice to Riyadh.

What does the future hold for Saudi Arabia’s cultural diplomacy? The success of the National Pavilion and its public program sets a precedent for future participation in global events. As the Kingdom continues to invest in arts and culture, we can expect more Saudi artists to gain international recognition and more cross-cultural collaborations to flourish. The January 2027 panel discussions in Saudi Arabia will further cement the dialogue, ensuring that the momentum is sustained. Ultimately, this project is not just about one exhibition; it is about building a legacy of cultural engagement that aligns with Vision 2030’s long-term vision. Through such efforts, Saudi Arabia demonstrates that it is not only preserving its rich heritage but also actively shaping the global cultural landscape, inviting the world to share in its story of resilience and renewal.

20 Questions

Q1. What is the title of Dana Awartani’s installation at the Venice Biennale?

A1. The installation is titled “May Your Tears Never Dry, You Who Weep over Stones.” It is on display at the National Pavilion of Saudi Arabia in the Arsenale until November 22.

Q2. Who curated the public program accompanying the installation?

A2. The public program is curated by Antonia Carver, with Hafsa Alkhudairi serving as assistant curator. Both are experienced curators bringing depth to the initiative.

Q3. What performances are scheduled in Venice for the public program?

A3. Two new performances will take place on November 20 and 21 at the National Pavilion. They are presented by artist Mohammad Alfaraj and researcher Nouf AlHarthi, with sound artist Nadine Lingawi.

Q4. What themes do the performances explore?

A4. The performances explore cultural memory, its continuity, and the transmission of cultural heritage across generations through storytelling, poetry, and sound.

Q5. Who is Mohammad Alfaraj and what does he bring to the program?

A5. Mohammad Alfaraj is an artist and writer who uses storytelling to explore collective cultural memory and the relationship between people and their environment.

Q6. Who is Nouf AlHarthi and what is her role?

A6. Nouf AlHarthi is a researcher and writer who examines the role of language, sound, and listening in expressing memory and place.

Q7. How does Nadine Lingawi contribute to the performances?

A7. Nadine Lingawi is a sound artist whose practice combines environmental sounds and electronic elements to explore the relationship between sound and place.

Q8. What is the significance of the installation’s materials?

A8. The installation comprises 29,221 sun-dried mud bricks, created with 32 artisans in Saudi Arabia. It draws on mosaic patterns from historically significant sites, highlighting craftsmanship and heritage.

Q9. When and where will the public program continue in Saudi Arabia?

A9. The program continues in Saudi Arabia in January 2027 with panel discussions bringing together Awartani, the curatorial team, and participants.

Q10. What topics will the panel discussions cover?

A10. The discussions will explore knowledge transmission through craft practices, the influence of traditional crafts on contemporary art, and the role of storytelling, poetry, and performance in preserving cultural memory.

Q11. Is there a publication associated with the project?

A11. Yes, an illustrated book exploring Awartani’s practice is expected in January 2027. It is edited by Antonia Carver and published by Kaph Books, commissioned by the Visual Arts Commission.

Q12. How many times has Saudi Arabia participated in the Venice Biennale?

A12. This marks Saudi Arabia’s fifth participation in the International Art Exhibition of La Biennale di Venezia, demonstrating its growing cultural engagement.

Q13. Which Saudi entity commissioned the National Pavilion?

A13. The National Pavilion was commissioned by the Visual Arts Commission, one of 11 sector-specific commissions under the Ministry of Culture.

Q14. What is the duration of the installation’s display?

A14. The installation will remain on display at the National Pavilion of Saudi Arabia until November 22, offering visitors a limited time to experience it.

Q15. How does the public program align with Vision 2030?

A15. It aligns with Vision 2030 by promoting cultural diplomacy, nurturing artistic talent, and enhancing Saudi Arabia’s global engagement and soft power.

Q16. Who oversees the performances in Venice?

A16. The performances are overseen by the curatorial team, led by Antonia Carver with Hafsa Alkhudairi as assistant curator.

Q17. What role do the 32 artisans play in the installation?

A17. The 32 artisans collaborated with Dana Awartani to create the 29,221 mud bricks, emphasizing community involvement and traditional craftsmanship.

Q18. What is the significance of the mosaic patterns in the installation?

A18. The mosaic patterns are inspired by sites of historical significance, connecting the artwork to Saudi Arabia’s rich cultural heritage and architectural traditions.

Q19. How does the public program enhance the visitor experience?

A19. The performances and discussions provide a multi-sensory, interactive dimension, allowing visitors to engage deeply with the themes of memory and heritage beyond the visual installation.

Q20. What future cultural initiatives can we expect from Saudi Arabia?

A20. Saudi Arabia is expected to continue investing in cultural diplomacy, supporting artists, and participating in global events, in line with Vision 2030’s goals for a vibrant society and diversified economy.

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